With Love from Igor; Andrew Hill Passing Ships review

Sacre du printemps is considered one of the canons of classical because Igor create and encapsulated a riot for eternity. It is a different spring, with a freedom that precipitate embers, a joyous inquest.

Andrew Hill allows in Passing ships, more than most One allows, steering at the brim of confidence, it's envious of direction as one might do a ship passing
The freedoms of the horns on this album is unlike any other.

While Sideways and Passing Ship heralds Plantation Bag was his moonwalk.
Brown Queen and cascade might foretell that Andrew had a similar dream with Alice. And if the Master did indeed appear to him, one couldn't know but he had listen to the man and allowed that freedom be replicated in his work,
Though Point of Departures  might be his most influential popular, Passing Ships really carries his eccentric lacking in the heavied structure and playing which characterises his playing.

There is an accomodations you see in this hear than others Eris, Blue Black and he took his time, it wasn't the hurtled cascade or tight knit of Judgment. Noon tide being the equator between the two realms coming from Andrew into Igor

It looks ahead at freedom,nAs one at the bay would stare at passing ships With Woody Dizzy and Julian it is a more richer Andrew, could be the reason for the apt song Cascade coming down from the production of his earlier work.

His album art signify that it was a long sleep I can't articulate the dream, but it was a wake up from one,, When he called them up and said Let's continue.

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