Careless Embers: Monster Review

 


Monster no Hirokazu, First the man is a master cinematographer stole my heart at the first seeing of Maborosi, he understands the double view apply an ambience that makes his movie surreal
Inaritu, Anderson, Koreeda and the man depicted helplessness in a dramatic irony of a three pronged narration.


I'm on my knees begging the Academy awards to consider Asian actresses more for the Oscar her performance was super..
What is a monster a monster illustrated is a love with two horns, are they antlers meant for grappling a surety. You'd know you are hooked too, your love has horns and it's pig brained.
Whose fault is it really
A hostess bar is on fire and anyone could have been the arsonist, it's Hori trying to pride a new life for his hostess girlfriend, it's the principal she let out her frustration on her grandchild accident on more than just the tuba, 
It's Hosikawa for not finding belonging in the world, it's Minato he might not live up to expectations of a late baseball father, his Mom doting to hide that she wasn't enough.
Everyone held the lighter, they're complicit but how do you deal with a helplessness that ensures respiration, what do you to a lie, and happiness that seems elusive, what... You blow hard on it
Which made this scene hit so hard.


A wonderful acting from the two monsters, they say misunderstandings is life greatest helplessness, only a monster would decide to brave it askance.
It is written on the wall, on their faces that even though they were the culprits they had done nothing wrong. a love with horns must at least emit cinders.
Helplessness becomes a freedom when mud of time tumbles the old train of the norm, and from underneath come a path forge d never again to be hopped swinging a solitary calling bird but as the loud jubilation of a fiery love in noises.


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